Fakes!? Hoaxes, Counterfeits and Deception in Early Modern Science
Introduction v
by Marco Beretta and Maria Conforti
I
Is Doctoring Data Always Misconduct? Case Studies: Ptolemy, Copernicus, Lansbergen
Owen Gingerich
II
File down the Data!
Data Treatment Procedures and False Positives for Fakes in Ptolemy’s Almagest
Giorgio Strano
III
The Significance of Transmutation in Early Modern Alchemy The Case of Thurneysser’s Half-gold Nail
Didier Kahn
IV
Transmutations and Frauds in Enlightened Paris Lavoisier and Alchemy
Marco Beretta
V
Coloring Topaz, Crystal and Moonstone
Factitious Gems and the Imitation of Art and Nature, 300–1500
Marjoljin Bol
VI
Divers, Sirens and Fishes
The Anatomy of Underwater Creatures
Maria Conforti
VII
Contrivances of Art
The Power of Imagery in the Early Modern Culture of Curiosity
Alessandro Tosi
VIII
Athanasius Kircher’s Palingenetic Plant
Ingrid Rowland
IX
Certain Fakes and Uncertain Facts
Jan Jonston and the Question of Truth in Religion and Natural History
Daniel Margocsy
X
An Original Fake
Closing the Debate on Flammarion’s Engraving
Stefano Gattei Index of Names
Notes on Contributors